U2 - "ZOO TV: Live In Dublin 1993" [12" EP] Limited Edition / Available on vinyl for the first time, this limited edition 12" EP is pressed on neon yellow vinyl and features five tracks from one of U2's two legendary open-air performances at the RDS Arena, Dublin in August 1993 - the hometown stop on their worldwide industry-defining ZOO TV Tour. While much sought-after bootlegged copies of the RDS show audio have been in circulation for years, this marks the first official release, making it a highly covetable collectible for fans and collectors alike.

Alicia Keys/Shoshana Bean/Maleah Joi Moon - [Transparent Blue 2 LP] "Hell's Kitchen (Original Broadway Cast Recording)" / The 13 Tony-nominated Broadway musical is a coming-of-age story based on the life of Alicia Keys featuring her iconic hits including "Fallin'," "If I Ain't Got You" and more reimagined! In the mid '90s, in an apartment high above the energy and grit of Manhattan's Hell's Kitchen neighborhood, 17-year-old Ali squints toward the horizon until she can just see the Hudson River. Despite the warnings of her protective mother, the symphony of the street calls to her - promising freedom, excitement, and the possibility of love. Finding herself. When a wise piano teacher helps her find her voice, Ali learns she can make the city her own. 2 LP set on transparent blue vinyl.

Clear Vinyl. Nick Cave & The Bad Seeds return with new album, Wild God. Across the ten tracks of the album, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave's soul-stirring narratives. It is the sound of a group emboldened by reconnection and taking flight. There are moments that touch fondly upon the Bad Seeds' past but they are fleeting, and serve only to imbue the relentless and restless forward motion of the band. Produced by Cave and Warren Ellis, and mixed by David Fridmann, Cave began writing the album in 2023. With sessions at Miraval in Provence and Soundtree in London, the Bad Seeds added their unique alchemy, with additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar). "Wild God... there's no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it," says Nick Cave.

Telos, out August 30, is multi-platinum producer Zedd�s first album in nearly a decade. With an impressive discography including multiple number ones and 30+ billion streams in total, on top of over 5 million headline tickets sold, Zedd has solidified himself as one of the top names in the history of dance music. Launching with the first single �Out of Time�, it is a window into the world of Telos, representing the DNA for what Zedd promises to be a profound listening experience.

Valley's third full-length album was written entirely over the course of a month in a secluded cabin in rural Tennessee. Executive produced by COIN's Chase Lawrence, 'Water the Flowers, Pray For A Garden' is a brave exploration of the full spectrum of emotions with an invitation to also surrender control and trust the process. Available on limited edition water color vinyl via Capitol Records/Universal Music Canada.

Luke Combs - Fathers & Sons - Vinyl

A collection of 12 poignant tracks, Fathers & Sons was recorded entirely live and features Combs most personal songwriting to date, as he reflects on his own experiences being a dad to his two sons and the unique bond between parents and their children.

Reflecting on "The Man He Sees In Me," Combs shares a message he wrote to his young sons, "To my boys, first and foremost, I will always love you, no matter what. With this song I want you to know that even though I'm not perfect, I try my hardest every day to be the best version of myself for you both. I'll make mistakes along the way and some days you'll be sick of your old man, I'm sure, but, dang, we'll have some fun too. I can't wait to see what you both turn out to be like and I hope someday down the road, I get to watch you and your kids do the same. Love, Dad."

In addition to Combs, Fathers & Sons also features acclaimed musicians Jim "Moose" Brown (keys), Sam Bush (mandolin), Stuart Duncan (fiddle), Mark Hill (bass), Josh Hunt (drums), Joey Landreth (electric guitar), Steve Mackey (bass), Josh Matheny (dobro), Jerry Roe (drums), Jonathan Singleton (acoustic guitar), Bryan Sutton (acoustic guitar) and Charlie Worsham (acoustic guitar).

When the Amsterdam singer-songwriter Jana Mila (pronounced Yah-nuh MEE- lah) began writing a song called �Chameleon,� she thought she was writing about someone else�a friend who seemed to be changing her colors to please other people. �But the more I lived with the song, the more I felt like I was writing about myself,� she admits. �Doesn�t everybody try to reflect other people? Don�t I change my own colors in order to be accepted? Especially when you�re young, you can lose yourself in other people if you don�t know who you are.� That is the central idea behind her debut album, also titled Chameleon, which introduces Mila as an artist deeply committed to self-reckoning and self-possession. Our innate desire to belong and to be loved can lead to a kind of self-annihilation, making us strangers to ourselves. Writing songs is her means of finding and sustaining her identity.�The album is a conversation with myself, a way of getting to know myself better. There are little fears woven into every lyric, but there�s also advice to myself. I�m writing to find a part of myself that has some wisdom.� Musically, Mila is the best kind of chameleon. The album draws from a wild array of sources, entertaining new ideas on every song: dusty Laurel Canyon folk on �It�s True,� catchy Nashville country on �Let Me In,� driving �70s rock on �I Wasn�t Gonna.� She puts her stamp on every note, turning those fears into an album of remarkable confidence, eloquence, and power. Chameleon is a self-portrait rendered in vibrant detail.

Oasis’ debut album ‘Definitely Maybe’ celebrates its 30th anniversary this August. The fastest-ever selling debut in the UK on release, this seminal album marked the point when Oasis became a cultural phenomenon. Including the classic singles ‘Supersonic’, ‘Live Forever’ and ‘Cigarettes And Alcohol’, its songs sound as fresh and relevant as they did in 1994. Having sold over 6.9 million copies globally, it also sits as the 2nd most streamed album of the 90’s (following Oasis’ (What’s The Story) Morning Glory? at no.1). New 30th anniversary formats released to celebrate this landmark date include a Limited Edition deluxe 4LP and 2CD featuring including the previously unreleased and discarded original recording session from Monnow Valley along with outtakes from Sawmills Studios plus a demo of Sad Song featuring Liam’s vocal - all recently mixed for this release by Noel Gallagher and Callum Marinho. LP formats also include a retail exclusive coloured vinyl format – Digsy’s Dinner inspired “Strawberries and cream” pink and white marble 2LP. All versions feature brand new artwork by the original art designer Brian Cannon for Microdot and original sleeve photographer Michael Spencer Jones, plus new sleeve notes.

Paul Robeson—African-American bass-baritone, stage and film actor, All-American football player, lawyer, and advocate for civil rights—was outspoken against racism, colonialism, and social injustice. Rutgers graduate, scholar of world cultures, and speaker of more than 20 languages, he worked tirelessly to break down political and racial barriers, and to build bridges between the peoples of this world. However, with the advent of the Cold War and the Red Scare following World War II, the political climate changed. Doors began to close for Robeson as concert halls and radio stations shut him out. In July 1950, the US State Department revoked the blacklisted artist’s passport thus preventing him from pursuing his successful international career as a singer and actor. But international audiences continued to honor and call out for him, and he found technologically advanced and effective ways to reach his communities all over the world. Today, his remarkable voice and unrivaled stage presence live on in sound recordings and films. This 14-CD edition is the first ever release of his complete Columbia, Victor, and HMV recordings from 1925 to 1947. All of his American recordings have been meticulously restored from the original master discs and tapes, and 25 studio recordings—as well as his complete historic New York and London recitals from 1958—are here presented for the first time on CD. The richly illustrated 160-page book, with essays by Shana L. Redmond and Susan Robeson, pays tribute to a cultural icon of the 20th century.

These songs are a showcase of Caudle’s singular command of language. He sees the world through a hyperreal lens wholly unique to him, one that renders dank humidity “horsefly heat,” a moody sky “cast iron skillet” dark, or a loved one’s “wind chime of a smile.”

Recorded in New York in 1958, and released the same year, In Orbit is trumpeter Clark Terry�s sixth album as leader. Featuring Thelonious Monk on Piano, in his only Riverside outing as sideman, the album also features Sam Jones (bass) and Philly Joe Jones (drums). This new edition of the album is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with (AAA) lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.

Following a nearly seven-year hiatus, deathcore titans Oceano erupt with full force on their highly anticipated sixth album, Living Chaos. Featuring nine earth-shattering tracks written by Adam Warren and Scott Smith, including the acclaimed single "Mass Produced," the next chapter of Oceano expands their patented deathcore punch with brutal breakdowns and seismic atmospheres on tracks like "The Price of Pain" and "Wounds Never Healed."

Lamb of God helped to define 2000s American Metal with their first major-label album release, Ashes of the Wake. Celebrate the 20th anniversary of Ashes of the Wake with this new deluxe expanded version of the album, which adds 5 bonus tracks including remixes and live versions, all on 2-LP black vinyl.

"The Dichotomy": David Kushner's debut album delves into the tapestry of human existence by exploring two contrasts. Comprising 17 songs, this musical work examines the interplay between light and darkness, happiness and sadness, anger and love, hero and villains, and the dichotomy of our inner demons and angels. Through a fusion of introspective lyrics, David Kushner captures the essence of emotional experiences, providing connection from all walks of life.

Amelia is Laurie Anderson�s subjective narrative piece about the renowned female aviator Amelia Earhart's tragic last flight. Anderson wrote the songs and lyrics, which she performs with her ensemble and the Czech orchestra Filharmonie Brno, conducted by Dennis Russell Davies. �The words used in Amelia are taken from her pilot diaries, the telegrams she wrote to her husband, and my idea of what a woman flying around the world can think of,� Anderson says.

Amelia was originally commissioned by the American Composers Orchestra in 2000 and was performed in various versions. Some of the text was adapted from Amelia Earhart�s pilot�s log. �The album also features vocals by Anohni and Marc Ribot on guitar.

Electrifying Los Angeles trio Palaye Royale's highly anticipated fourth studio album, Death or Glory, offers an intriguing glimpse into a transformative and grandiose musical journey. As an anthem to resilience and self-discovery, the album embodies the band's artistic evolution and commitment to pushing the boundaries of glam-rock, art-punk and brit-pop into a sound distinctively their own.

For the first time on vinyl, a Limited Edition 8-LP Deluxe Box set of Chick Corea Trilogy�s Trilogy & Trilogy 2. The GRAMMY� Award-Winning Trio, totaling 40 wins among them, features the legendary Chick Corea (piano), Brian Blade (drums) & Christian McBride (bass). Encased in an outer box, an inner portfolio showcases the 180g vinyl, a 32-pg book with exclusive photos, liner notes by Bill Milkowski, essays by Chick Corea, Brian Blade, Christian McBride.

As a producer, Patrick Leonard has helped bring to life career-defining recordings by Madonna, Pink Floyd, Elton John, and Fleetwood Mac, to name a few. But for the first time in two decades, he is releasing music that is all his own. This sprawling, 16 track double album brilliantly conveys his artistic genius. Supported by a dream cast of supporting musicians: Tony Levin, Tim Pierce, Wendy Melvoin, John Patitucci, Aaron Stirling, Martin Barre, James Harrah, Ian Anderson, Anna Mjoll, Gerry Leonard and Paul Franklin. Mixed by Kevin Killen. Mastered by Bob Ludwig. Art by StormStudios. Lacquers cut by Chris Bellman at Bernie Grundman Mastering.

AWOLNATION titling the fifth album of original songs in 15 years The Phantom Five is about more than just chronology. The number 5 is associated with independence and individualism, major life changes and experiences, all of which influenced the resulting album. It’s a collection of ten songs that highlights every different impulse and urge Bruno has learned to master with AWOLNATION in a cohesive, anthemic pastiche of modern music. As he himself admits, it functions almost as a “greatest hits” album, in the sense that it offers something for everyone who has followed the band’s arc in its celebrated, shape-shifting way. The first single, “Panoramic View,” stands out with its sincerity on its sleeve; in fact, while not necessarily a new direction for AWOL, the idea of a heartfelt ballad being the first track available to fans is emblematic of Bruno’s newfound control over every aspect of an album release—something that he says might not have happened in previous days. From upstart, tongue-in-cheek blasts like “Jump Sit Stand March” and “When I Was Young” to the Roy Orbison, oldies-inspired ode to beauty and self-destruction “A Letter to No One” and the jangly segue “City of Nowhere” calling to mind The Cars and Grandaddy, not to mention guest spots from Dead Sara’s Emily Armstrong and Del the Funky Homosapien, The Phantom Five is concerned with trying to find one’s way to happiness in a bizarrely upside-down time.

Big Sean / BETTER ME THAN YOU DEF JAM

Loser Edition Smoke Vinyl. The way you're saying it, "prolific" isn't the right word for The Bug Club. You've got to say it with the trademark Welsh lilt and pay due homage to this inimitable band's origins in the renowned hit factory of Caldicot, South Wales. Do that, and you're about right with how to summarize a group who've released ten singles, two albums, two EPs, three things nobody knew how to describe, and an album under a different band's name, all since 2021, and while playing 200+ gigs a year.Initially comprising the songwriting core of Sam Willmett (vocals/guitar) and Tilly Harris (vocals/bass) with Dan Matthew (drums), The Bug Club started plying their trade in 2016. They were signed by UK label Bingo Records in Autumn of 2020. BBC 6 Music's Marc Riley was an early champion, hammering the single, booking the band in for a session as soon as it was allowed, and rightfully praising songwriters capable of singing the whole alphabet in a two-minute song and making it work. Third LP On The Intricate Inner Workings Of The System - their first for Sub Pop - sees the band serve up a beefy slab of their speciality Modern-Lovers-meets-Nuggets garage rock. There's B-52's call-and-response fun mixed with AC/DC power chord grunt. Leaning towards fast-paced punk, opening double salvo "War Movies" and "Quality Pints" sets out the stall: duel vocal piss-taking, surreal takes on everyday topics that go full circle and become profound, riffs all day long and then all the next day too. "Quality Pints" deals with the pressing concerns of any conscientious touring outfit, taking to heart the rule of the three R's as penned by renowned fellow pints fan Mark E. Smith of The Fall. Repetition, repetition, repetition. If it's that important, which it is, it's worth saying again. "War Movies" dresses distorted chugging with a comprehensive 'best of' list for the genre, with Sam Willmett offering a solo casually chucked out in a way that will make your dad promptly give up any resurgent guitar playing ambitions. And "A Bit Like James Bond" tackles the UK's sleaziest undercover export at the same time as the embarrassing ego problem that besets much of it's population - but it's only heavy (ish) in the fun, loads-of-riffs sense.So, that's what they've been finishing up during their massive month-long break from gigs. In a bid to avoid being branded layabouts, The Bug Club will support their upcoming Sub Pop release with a springtime tour of the UK and Europe beginning May 10, before heading out to the US in September.

At its best, harmony duo singing can transform simple math into a magic trick. One plus one, instead of equaling two, suddenly yields an unexpected third thing. An upper-case ONE. A universal hum. A deep vibration that encompasses two different points of view. On their latest release, Every Time I Think About You, brothers Page Burkum and Jack Torrey, aka The Cactus Blossoms, once again prove themselves to be among the most adept - and instinctive � modern practitioners of the classic tradition.

All sorts of emotional colors shine through on their new album. �Something's Got A Hold On Me� is pure Saturday night two-steppin' joy, �Keep Walkin'� has a Stones-y swagger and �There She Goes� casts its romantic regret against a danceable bop beat. �Statues� is a gorgeous meditation on the weight of permanent honor, �Is It Any Wonder� weaves its pledge of enduring love through nature images, and the title track is a heart-wrencher about loss and letting go. In all, the ten beautifully open-ended songs here invite listeners in to find their own stories as they revel in the old-school melodies and harmonies.

The highly anticipated debut album from one of jazz�s top social media presences, singer Stella Cole (832k followers on TikTok, 716k IG). Stella delivers a timeless performance, backed by beautiful string arrangements from the legendary Alan Broadbent. �A lot of people see me through thirty second clips. Then they come to my shows and say, �wow, I didn�t know you could do all that.� And I�m hoping that�s the feeling people will have with this record.�

SHEMEKIA COPELAND / BLAME IT ON EVE Grammy-nominated blues, soul and Americana singer is beloved and honored worldwide for her joyful, defiant music and thrillingly soulful performances. Blame It On Eve is another exhilarating Shemekia Copeland showcase, as her rousing vocals bring the heat to an infectious array of muscular rockers, stomping blues, swampy soul, and heartbreaking ballads. Intense, topical new originals make up most of the tracks and soul-soaked versions of songs by Stevie Wonder and her father, Johnny Copeland, fit right into the mix.

Almost three decades on from their last release, Acid Jazz forefathers Galliano are back with news of their new LP 'Halfway Somewhere' which is being released on Gilles Peterson's Brownswood Recordings on 30 August. On 'Circles Going Round The Sun', the first single to be lifted off their new album, Galliano founder Rob Gallagher meditates on what gathering together in clubs means. "The first time you dance you break boundaries between matter and spirit, self and other, individual and group" he intones on a record that references dance culture sages Andrew Weatherall and David Mancuso next to writer George Mackay Brown and artist Mark Leckey. Born out of London's underground clubs and warehouse parties of the mid to late eighties, with the debut single on the Acid Jazz label in 1988, Galliano came out of a culture that spanned music, dance, fashion, art, design, and the written word. When they arrived as the first act on Gilles Peterson's Talkin' Loud label in 1990 with 'Welcome to the Story' (produced by Chris Bangs who invented the term Acid Jazz) dressed in Gabicci sweaters, beads and skullcaps they captured a scene built on re-invention. "We were all playing around with what we could get our hands on whether that was a seventies book on Jamaican style or old Last Poets and Watts Prophets records," says Gallagher. "We'd been recycling things for a few years but suddenly everything had coalesced and you've got an amalgam that seemed quite solid." For their first album since 'Live at The Liquid Room (Tokyo)' in 1997, Rob Gallagher and his partner, vocalist Valerie Etienne, are joined by Galliano stalwarts Ernie McKone on bass, Crispin Taylor on drums, and Ski Oakenfull on keys (with guests including saxophonist Jason Yarde and percussionist Crispin 'Spry' Robinson). Where the old Galliano recycled records they heard at clubs, today they are responding to the kaleidoscopic global jazz scene - from Total Refreshment Centre in London to International Anthem in Chicago. More than forty years since they came together, Galliano are still only 'Halfway Somewhere', but listening to the album they are obviously having fun getting there. "I think the stars have to be aligned when you redo things," says Gallagher. "Coming at it from this door is very different to the door we came into back then. But once it's existing it is something. But I'm still not sure what that something is." Galliano - Halfway Somewhere

For the first time in over 8 years, the blistering assault on our nervous system that can only be described as the sound of NAILS, has reemerged. With Carlos Cruz on drums, Andrew Solis on Bass, Shelby Lermo on Guitars, and Todd Jones on guitar & vocals, the upcoming studio album, EVERY BRIDGE BURNING, will be revealed August 30th, 2024 via Nuclear Blast Records. For this 4th full length album, NAILS have channeled raw emotion into tracks like "Imposing Will", a seismic event in the realm of sonic aggression; igniting the pulse, and fueling a fire of hostility. "[This track is] special to the record in that I knew we wanted it to be the opener," explains founder Todd Jones. "We wanted it to have the effect of an urgency; an immediacy in the music itself. When you push play, you get smacked in the face." Similarly, "Give Me the Painkiller" hints at an intricate groove while simultaneously causing the urge to peel your skin off. There exists a wild energy that according to Jones is the band's "most expressive guitar playing" in their history. Plunge into "Punishment Map", and confront the decades of misery brought about by Golden State serial killer Joe D'Angelo-a relentless descent into the abyss of human suffering. The guitar work on EVERY BRIDGE BURNING is an expansive force in it's own right, epitomized in tracks like, No More Rivers to Cross. Here, NAILS masterfully navigates a spectrum of moods, showcasing fluidity and intensity that is quintessentially NAILS yet profoundly evolved. The album artwork, a creation by Jeff Whitehead, serves as a visual prelude to the auditory chaos-a stark representation of the aural brutality that NAILS delivers. "I really wanted to work with Whitehead again," explains Jones. "I wanted the artwork to represent the sound of NAILS visually, and to reference the same figure from our last album cover."The writing process for this album was no different than in record cycles of the past. The foundations of songs are born from riffs, and it is around these riffs that entire tracks are eventually composed. "Our writing process is about building songs," explains Jones, "not just sitting down and writing them straight through all at once."Recording for the album commenced in Massachusetts at God City Studio with Kurt Ballou (of CONVERGE), whose contribution is integral to The Nails sound, as elucidated by Jones: "we've recorded every album with Kurt. He's such an important ingredient as to how we present our music. When our fans want to hear NAILS, they want to hear something that is through the filter of Kurt's engineering."Most importantly, EVERY BRIDGE BURNING was born out of unwavering dedication to NAILS fans and the underground music scene. It echoes their commitment to authenticity and raw power. NAILS remains a beacon of rebellion and resilience in a world hungry for genuine expression. With no shortage of effort or meticulous song arrangement, the time has arrived to become engulfed in the ferocity of NAILS once again as EVERY BRIDGE BURNING unveils a new, but familiar chapter in extreme music. "This band was modeled after some of my favorite bands; the type of bands where, when they put out an album, you know what it's going to sound like," describes Jones, "it's the delivery of the expectation." The sensory destroying musical onslaught that we've all been missing is back. NAILS is Todd Jones, Carlos Cruz, Andrew Solis, and Shelby Lermo. Forest Green LP

Electrifying Los Angeles trio Palaye Royale's highly anticipated fourth studio album, Death or Glory, offers an intriguing glimpse into a transformative and grandiose musical journey. As an anthem to resilience and self-discovery, the album embodies the band's artistic evolution and commitment to pushing the boundaries of glam-rock, art-punk and brit-pop into a sound distinctively their own.

The debut album from Paris Paloma, 'Cacophony' follows (and includes) her breakthrough single "labour," which has amassed over +190M WW streams. Written around themes of feminine rage, societal expectations on women and deeply embedded misogyny, the album continues the deep consideration and dissection of Paris' own experiences and observations as a woman. Drawing comparisons to artists like Florence + The Machine and Hozier, Paris' songwriting taps into cultural movements, inspiring fans around the world. "labour," and subsequent singles including "as good a reason," have seen her lyrics and music resonate deeply with an ever growing fanbase. Unheard tracks such as "his land" are emotive and cinematic, while the gloriously climactic "the last woman on earth" has become a fan favorite on TikTok. Following sold-out shows in the UK and Europe in 2023, Paris embarks on a second sold-out tour in the U.S. in 2024 ahead of the release of Cacophony.

The Softies, comprised of Rose Melberg and Jen Sbragia, embody timeless themes of friendship and self-discovery through their minimalist pop soundworld. Since their formation in 1994, they've created uncluttered and fearlessly vulnerable music, contrasting with prevailing trends. The Bed I Made, The Softies' first new studio album in 24 years, showcases growth while reflecting on life's complexities with lyrics drawn from real experiences. Despite individual pursuits and personal losses, Melberg and Sbragia reunite, channeling grief and rejuvenation into an album that captures the essence of their enduring friendship and offers hope and renewal amid life's challenges. Through their perfectly-paired harmonies and telepathic playing, they navigate the present, past, and future, offering a poignant continuation of their musical legacy, resonating like time spent with an old friend who knows you best.